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A Lens Made for Street Photography

PHOTO WALKSATHENSJune 13, 20253 MIN READ

Fokionos Negri morning
Fokionos Negri morning

Kipseli at 13:00. The sun is high, and the light is harsh. I had just finished a meeting in the area and decided to take my new Voigtlander 28mm f2.8 Color-Skopar for a spin. This compact lens, mounted on my Leica M11-P, fits in a jacket pocket and disappears on the street.

Starting at Fokionos Negri, I walked around the Dimotiki Agora. Narrow streets, old apartment blocks, a few people moving through the shade.

Kipseli street scene
Kipseli street scene

From Kipseli, I headed down to Floisvos and the Water Square — a space that comes alive every summer through the concerts. Around the square, new graffiti appears each year on the freshly-painted barriers. I photographed these colorful walls and the sailing club next door.

The lens delivers excellent sharpness from f/4 onwards, with colors that come through vividly. Lately, I've been studying Harry Gruyaert's work in depth — the way he uses color has me paying much closer attention to composition in every frame I shoot.

Graffiti detail
Graffiti detail

The 28mm focal length captures urban context while isolating compelling details. It held up across both — from Kipseli's shadows to the flat light at the marina.

Sailing club
Sailing club
Sailing club #2
Sailing club #2
Sailing club #3
Sailing club #3

For such a compact 28mm, the Voigtlander is more than worth it — small enough that you stop wondering whether to bring it with you.

Around Floisvos
Around Floisvos

Written by Evangelos Tzemis

What pulls me to a place is always the people and the environment. I try to be invisible — unnoticed. You frame it first in your mind, then raise the camera. You carry the story into the frame.